From a Generalized 1/4 Tag or other applicable formations.
Work in a Distorted Box with the dancers with whom you would normally Jay Walk.
At the end of the call re-establish the footprints of those four positions.
| |
| Jay Left Wheel Thru
之前 | | 之后 |
|
A Jay can be denoted by a given direction, that direction being relative to the dancers in the Center Line. In identifying the Jay, the facing direction of the Outside dancers doesn't matter.
-
(Front) Jay: Center dancers work with the Outside dancers that are in front of them.
-
Back Jay: Center dancers work with the Outside dancers that are behind them.
-
Right | Left Jay: Center dancers work with the Outside dancers
that are to their Right | Left.
| | (Front) Jay |
|
| | Back Jay |
|
| | Right Jay |
|
Note: Jays can pop up in other formations (such as an "H"). Also, two
dancers who are offset can do 2-dancer Jay calls (such as Jay Touch 1/4).
| |
| Back Jay Shakedown
之前 | | 之后 |
|
| |
| Left Jay Partner Tag
之前 | | 之后 |
|
Historically, Jays were denoted as follows:
-
(Facing) Jay: Dancers within each distorted Box are facing In (toward the Center of the
Box) and are facing each other. This is the default Jay.
-
Back-to-Back Jay: Dancers within each distorted Box are facing Out (away from the Center
of the Box) and are Back-to-Back with each other.
-
Front-to-Back Jay: Dancers are Front-to-Back within each distorted Box, with some dancers as
Leaders and some dancers as Trailers facing the Leader's back.
| | Facing (normal) Jay |
|
| | Front-to-Back Jay |
|
| | Back-to-Back Jay |
|
Hint: for complicated calls, check the orientation of your Jay with respect
to the room before you start moving. For example,
you could remember the wall
toward which your Jay is offset. We usually memorize our Jay by remembering
(1) whether the Centers are in a Two-Faced Line or a Wave and (2) which End
position (of the Center Line) is a part of our Jay.
Occasionally, a caller may call a Shape-changing call from a Jay.
| |
| Jay Pass The Ocean
之前 | | 之后 |
|
On a shape-changing call (usually from a Box to a Line or Wave),
the idea is to maintain the center point between the pairs of dancers.
In the above example, dancers 
and
finish such that their center point is the original center point between dancers
and
. Similarly, dancers
and
finish such that their center point is the original center point between dancers
and
(which just happens to be the original starting position of dancer
).
Change Jays [NOL]:
After doing a Jay call, work with the other Jay positions
(Outsides work with the other Center positions,
and Centers work with the other Outside positions).
Same Jay [NOL]:
After doing a Jay call, do the next call working with
the same dancers in the same Distorted Box.
参见
FAQ | 
Ceder Chest Definition Books | Multilingual | administrator 
Old Calls | 
Experimentals 
Choreography for Jay Concept
Comments? Questions? Suggestions?
