Definitions Main Page | FAQ | Ceder Chest Definition Books | Multilingual | administrator |
Index --> All Levels | Basic and Mainstream | Plus | A1 | A2 | C1 | C2 | C3A | C3B | C4 | NOL | Def2 |
Definitions (Text Only) --> Plus | A1 | A2 | C1 | C2 | C3A | C3B | C4 | NOL | Old Calls | Experimentals |
Dancing and Studying Hints | Tagging Calls | Calls with Parts | Shape Changing | Types of Distortions |
Central Concept [C3A] (Bill Heimann) |
|
Language: | view (admin) |
Do the Centers part of the anything call.
If the starting formation is a 2 x 4 and if the Centers part of the anything call can be done from either a 1 x 4 or a 2 x 2 (e.g., Counter or Detour), then work in the 2 x 2. For this case, the caller should specify in which setup the dancers are to do the call (e.g., Each Wave do a Central Counter).
Central Spin The Windmill:
| ||||||||||
Central Ease Off:
|
Here is a partial list of calls that might be done Central at C3B:
Note that the above list of calls only includes calls in which the Centers
remain Centers throughout the entire call. For example, on calls such as
Sets In Motion
or on
Strut Right | Left,
the Centers do not end as the Center 4 dancers.
On these calls there are normally some outside
dancers who end in the Center. Hence, on the Central version of
these calls, since there are no outside dancers involved it is ambiguous where
the dancers end. Do they leave space for phantoms?
Comments? Questions? Suggestions? |
|