Definitions of Square Dance Calls and Concepts -- "O" Formation [C1]

"O" Formation [C1]
(Jim Davis)

C1:

言語

An "O" consists of dancers occupying the following spots in a 4 x 4 matrix: EN: 10

"O" FORMATION


From here... EN: 20 Add Japanese		imagine you are here. EN: 30 Add Japanese

An "O" is considered to be Distorted Columns, as if the Centers slid apart from normal Columns. EN: 40


If you are here... EN: 50 Add Japanese		think of working in Columns EN: 60 Add Japanese


"O" Circulate の前		後


"O" Transfer The Column の前		imagine you are here EN: 70 Add Japanese		Transfer The Column の後		re-establishing "O" footprints EN: 80 Add Japanese の後 (終わり)

注釈:

For simple calls (such as "O" Circulate, "O" Split Counter Rotate 1/4, etc.) move directly to your ending footprints. For more complex calls, start the call working distorted, blend into a normal setup, complete the call normally, and then have the resulting Centers move away from the Center to re-establish the "O" footprints. EN: 90

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If dancers occupy "O" footprints but the caller wishes them to work in distorted Parallel Lines, the term Big Block [C3A] is used. EN: 100

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Sometimes the caller wants you to start the call in your "O" but finish in a normal setup. In these cases the caller will add a suffix such as 'To Normal Waves', 'To A Line', 'To Columns', etc. (e.g., "O" Checkmate To Normal Lines). EN: 110

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An "O" can also be T-Bone in which case you do your part working in your own set of distorted Columns. EN: 120

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