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From a 4 x 4 Matrix, visualized as 4 adjacent Columns | Lines | Waves.

Split the 4 x 4 Matrix into two sets of adjacent Columns | Lines | Waves and work in the resulting 2 x 4 Matrix on each side.

Work with these positions for Split Phantom Columns   vor Split Phantom Columns Triple Cross   nach

Work with these positions for Split Phantom Lines | Waves   vor Split Phantom Waves In Roll Circulate   nach

• If the given call requires you to know the facing direction of a phantom, look at that phantom's opposite within the Split Phantom Columns | Lines | Waves formation. Hopefully that spot is occupied by a real dancer, in which case your phantom is facing the opposite direction of that dancer. This is known as Assume Symmetry. Some callers believe you should always do this; other callers believe you should never do this (I am of the latter opinion).
• If the caller says Split Phantom Waves, then you have more information about the facing direction of the phantoms: they must be in Waves!
• Imagine there is a brick wall dividing the two halves of the set. This can prevent you from crossing over into the other half of the set.
• Shape-changing calls are allowed. Do the given call, keeping track of the phantoms, and breathe as necessary so that the two resulting formations are adjacent to each other.
• Historically, Split Phantom Columns | Lines | Waves have also been known as Phantom Split Columns | Lines | Waves.

From a T-Bone starting formation, each dancer individually determines how to split the 4 x 4 formation.     vor Split Phantom Waves In Roll Circulate   nach

Split Phantom Columns | Lines | Waves is also occasionally used from a 1 x 16.   Work with these positions for Split Phantom Lines

Siehe auch

• Split Phantom Lines / Columns (by Charles Young)

CALLERLAB definition for Split Phantom Columns/Lines/Waves Concept

Choreography for Split Phantom Columns | Lines | Waves Concept

Comments? Questions? Suggestions?

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