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Definitions of Square Dance Calls and Concepts
 
Definitions of Square Dance Calls and Concepts
 
 
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Transfer The Column [A1]
   (Lee Kopman 1974)
A1:     
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From Mini-Wave Columns. EN: 10
Aus Mini-Wave Columns. DE: 10

First two dancers in the Column (#1 and #2) move forward in Single File around the outside of the other Column until parallel with the Center Box and then individually Face In (to end as a Couple) as the Last Two dancers (#3 and #4) Circulate (to form a Center Box) and Cast Off 3/4; all Extend. EN: 20
Die ersten zwei Tänzer in der Kolonne (#1 and #2) bewegen sich vorwärts in Single File (einer hinter dem anderen) um die Aussenseite der anderen Kolonne herum, bis sie parallel mit der Center Box stehen und dann eigenständig Face In (um als Couple zu enden), Während die letzten zwei Tänzer (#3 and #4) Circulate (um eine Center Box zu formen) und Cast Off 3/4; alle Extend. DE: 20

Ends in Parallel Waves. EN: 30
Endet in Parallel Waves. DE: 30

Aus R-H Columns:

 
     
vor
Transfer The Column		  nach
#1 & #2 Single File Promenade 1/2 und Face In
während #3 & #4 Circulate
(Transfer And Nothing)		 nach
Centers Cast Off 3/4		 nach
Extend
(fertig)
Aus L-H Columns:

 
     
vor
Transfer The Column		  nach
#1 & #2 Single File Promenade 1/2 und Face In
während #3 & #4 Circulate
(Transfer And Nothing)		 nach
Centers Cast Off 3/4		 nach
Extend
(fertig)

Hinweise:
  • Those doing the Cast Off 3/4 determine the handedness of the ending formation. EN: 80
    Diejenigen die das Cast Off 3/4 machen, bestimmen die Händigkeit der Endformation. DE: 80
  • The handedness of the Column at the begininng of the call is the same as the handedness of the resulting Wave. EN: 90
    Die Händigkeit der Kolonne zu Beginn des Calls ist die gleiche, wie die Händigkeit der enstehenden Wave. DE: 90
  • The Last Two dancers Circulate to form a Box before doing the Cast Off 3/4. It is important to form the Box first, because Transfer The Column is often called such that same sex does the Cast Off 3/4. Dancers who are on 'auto-pilot' tend to forget about the definition and just look for same sex for the Cast Off 3/4. This causes trouble when mixed sexes are supposed to meet in the Center. If you always form a Box, you will always Cast Off 3/4 with the correct dancer. EN: 100
    Die letzten zwei Tänzer Circulate, formen eine Box bevor sie das Cast Off 3/4 machen. Es ist wichtig, zuerst eine Box zu formen, weil Transfer The Column oft so gecallt wird, dass gleichgeschlechliche das Cast Off 3/4 machen. Tänzer, die automatisiert tanzen, neigen zum Vergessen der Definition und suchen einfach nach gleichgeschlechtlichen für das Cast Off 3/4 . Dies führt zu Fehlern, wenn sich gemischtgeschlechliche im Center treffen sollen. Wenn du immer eine Box formst, wirst du immer das Cast off 3/4 mit dem richtigen Tänzer machen. DE: 100

Transfer And anything [A2] (Deuce Williams 1975):
From Columns or other applicable formations. First two dancers in the Column (#1 and #2) move forward in Single File around the outside of the other Column until parallel with the Center Box and then individually Face In (to end as a Couple) as the Others step forward to form a compact formation ("normalize") and do the anything call. EN: 57
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Box Transfer [A2] (Lee Kopman 1974):
From a 2 x 2. Leaders Box Circulate Twice and 1/4 In as Trailers Extend, Cast Off 3/4, and Extend. A Mini-Wave Box ends in a Mini-Wave Box. Split Transfer is a Box Transfer done within each 2 x 2 of a 2 x 4. Box | Split Transfer is the Single version of Transfer The Column. EN: 58
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3 By 1 Transfer The Column [C2]:
From Columns. The First Three dancers Transfer (as a 3-dancer group Trail Off , then individually 1/4 In) as the #4 dancers Circulate 1 & 1/2 and Cast Off 3/4; Center 4 Extend The Tag as Others Step Ahead to end in Parallel 3 & 1 Lines. EN: 59
Aus Columns. Die ersten 3 Tänzer tanzen ein Transfer (als 3-Tänzer Einheit Trail Off, dann jeder einzelne für sich 1/4 In), während der #4 Tänzer Circulate 1 & 1/2 und Cast Off 3/4 tanzt; dann tanzen die 4 Centers Extend The Tag, während die Anderen vorwärts gehen, um in parallelen 3 & 1 Lines zu enden. DE: 59

Open Up The Column [C3A] (Lee Kopman):
From Columns. #1 dancer Trail Off & Roll as #2 dancer Circulate, Peel Off & Roll as #3 and #4 dancers Circulate; Centers Cast Off 3/4; all Extend. Ends in Parallel Waves. EN: 60
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Animation for Transfer The Column

CALLERLAB definition for Transfer the Column

Choreography for Transfer The Column

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21-November-2024 12:01:10
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